Bollywood
Honeymoon in Shillong” — A Film Based on the Raja Raghuvanshi Murder Case
Film Overview & Background
- A feature film tentatively titled Honeymoon in Shillong, is underway, depicting the sensational murder case of Raja Raghuvanshi, a 29‑year‑old transport businessman from Indore, who disappeared and was later found dead in Meghalaya during his honeymoon in May–June 2025
- The director at the helm is S P Nimbawat, and the Raghuvanshi family has officially given their consent for the film’s production
Production Scope & Creative Intent
- According to Rashin Raghuvanshi’s brothers, legal and logistics are finalized. 80% of shooting is to take place in Indore and 20% in Meghalaya (locations tied to the actual events)
- The film aims to depict a message against betrayal and shed light on the truth behind the events, as per the family’s vision
Real Events vs Creative Interpretation
- While the script has been cleared by the family, Raja’s brother Vipin Raghuvanshi cautions that the film will be only ~50% factual, with creative dramatization to enhance narrative impact
- The family insists that “only the truth must be shown”, and hopes to avoid sensationalism while still ensuring audience engagement
Recap of the Original Case
- Raja and his wife Sonam Raghuvanshi went missing in Meghalaya on May 23, 2025 during their honeymoon. On June 2, Raja’s decomposed body was found in a gorge near Wei Sawdong Falls in Sohra (Cherrapunji)
- Investigators concluded that it was a premeditated murder, allegedly orchestrated by Sonam in collusion with her alleged lover Raj Kushwaha and a group of hired killers
- Sonam surrendered in Ghazipur and was arrested. Multiple accomplices have been arrested, and a Special Investigation Team (SIT) is handling the case
Family Stance & Legal Developments
- The Raghuvanshi family, led by brothers Sachin and Vipin, came forward publicly to support the film project. They want to ensure Raja’s story is told correctly, while also protecting the image of Meghalaya by working collaboratively on the project.
- Vipin visited the crime scene, performed a puja, collected Raja’s death certificate, and is actively opposing bail pleas for some of the co‑accused
Aamir Khan Rumors Debunked
- Despite speculation, reports linking Aamir Khan to the film adaptation have been denied by the actor. He is not involved in the project as of now

Summary
The film Honeymoon in Shillong will dramatize the mysterious and tragic murder of Raja Raghuvanshi—a case that captivated India in mid‑2025. With family consent, the film is directed by S P Nimbawat, blending real events with dramatized storytelling. While production is underway, casting details remain undisclosed. The family hopes the film will clarify the truth and deliver a social message against betrayal, though creative liberties are acknowledged in the narrative.

Bollywood
Box Office Report | January 20, 2026: Dhurandhar stays steady; The Raja Saab, Happy Patel struggle on Tuesday
Tuesday proved to be a mixed day at the Indian box office, with most films witnessing the expected weekday slowdown after the weekend rush. While long-running releases like Ranveer Singh’s Dhurandhar continue to show remarkable staying power, several recent releases—including Rahu Ketu and Happy Patel: Khatarnak Jasoos—failed to gain momentum.
Here’s a detailed look at how films performed at the box office on Tuesday, January 20, 2026.
Rahu Ketu sees further dip on Day 5
Starring Pulkit Samrat and Varun Sharma, Rahu Ketu continued its downward trend on Tuesday.
- Tuesday collection: ₹47 lakh
- Monday collection: ₹55 lakh
- Total collection: ₹5.42 crore
Despite decent initial interest, the film has struggled to sustain footfalls on weekdays. Trade experts believe that average word-of-mouth and strong competition have impacted its performance.
Happy Patel: Khatarnak Jasoos fails to attract audiences
Produced by Aamir Khan, Happy Patel: Khatarnak Jasoos also failed to recover after the weekend.
- Tuesday collection: ₹27 lakh
- Monday collection: ₹45 lakh
- Total collection: ₹5.07 crore
The film features Aamir Khan, Imran Khan, and Mithila Palkar, but has not resonated with audiences despite the notable cast. Analysts point to weak promotions and limited appeal as key reasons behind its underwhelming run.
Dhurandhar continues to show exceptional hold
Ranveer Singh’s blockbuster Dhurandhar remains the standout performer at the box office.
- Tuesday collection: ₹1.50 crore
- Monday collection: ₹1.40 crore
- Days in theatres: 47
- Total collection: ₹828.10 crore
Even in its seventh week, the film continues to earn more than several newer releases. Its strong hold underscores its massive audience acceptance and long-term theatrical value.
Trade insiders are already gearing up for Dhurandhar 2, which is slated for release on March 19, 2026, where it will clash with Yash’s Toxic—one of the most anticipated box office battles of the year.
The Raja Saab struggles despite star power
Prabhas’ The Raja Saab saw a sharp decline in collections on Tuesday.
- Tuesday collection: ₹73 lakh
- Monday collection: ₹1.15 crore
- Total collection: ₹141.43 crore
Despite featuring Prabhas, along with Sanjay Dutt and Zarina Wahab, the film has failed to maintain momentum. Weak word-of-mouth and declining occupancy have significantly affected its box office prospects.
Overall box office outlook
With no major releases midweek, collections are expected to remain muted until the weekend. Films with strong content like Dhurandhar are likely to continue benefiting, while newer releases may struggle to survive unless supported by strong audience feedback.
Bollywood
‘I am Muslim…’: AR Rahman explains why he worked on Nitesh Tiwari’s Ramayana, responds to trolls
Oscar-winning composer AR Rahman has addressed questions surrounding faith and identity after announcing his involvement in filmmaker Nitesh Tiwari’s upcoming epic Ramayana. Responding to criticism and online trolling, Rahman emphasised that art, knowledge, and storytelling transcend religious boundaries, and should be approached with openness rather than prejudice.
Rahman, who is collaborating with two-time Academy Award winner Hans Zimmer on the ambitious project, said that his connection with Indian epics dates back to his childhood and is rooted in cultural familiarity rather than religious labels.
“Art cannot be confined by religion”
Speaking in a recent conversation on the BBC Asian YouTube channel, Rahman reflected on his early exposure to Indian mythology and literature.
“I studied in a Brahmin school, and every year we had Ramayana and Mahabharata, so I know the story,” he said.
The composer highlighted that the core of the Ramayana lies in its moral values and universal ideals, not in religious exclusivity.
“The story is about how virtuous and high-principled a person is. People can debate, but I value all the good things—any good thing that you can learn,” Rahman added.
He also referenced teachings across religions that encourage seeking knowledge regardless of its source, reinforcing his belief that wisdom is universal.
‘I am Muslim, Ramayana is Hindu—but art unites us’
Addressing the controversy more directly, Rahman urged society to rise above narrow-minded thinking.
“I think we need to rise above narrow-mindedness and selfishness. When we rise above, we shine—and that is very important,” he said.
“Hans Zimmer is Jewish, I am Muslim, and Ramayana is Hindu. It is coming from India to the whole world with love.”
His statement has been widely praised for underlining India’s pluralistic cultural tradition, where artists from diverse backgrounds have long contributed to stories rooted in different faiths.
AR Rahman’s background and early life
Rahman was born in Chennai (then Madras) into a Hindu family and was originally named Dileep Kumar Rajagopala. He converted to Islam in 1989 and adopted the name AR Rahman. Despite the change in religious identity, the composer has often spoken about how Indian classical traditions, spiritual philosophies, and diverse cultural influences shaped his musical journey.
Over the decades, Rahman has composed music for films across languages, cultures, and belief systems—often blending spiritual themes with contemporary soundscapes.
About Ramayana: cast, scale, and release
Directed by Nitesh Tiwari and produced by Namit Malhotra, Ramayana is one of the most ambitious Indian film projects ever undertaken.
- Ranbir Kapoor as Lord Rama
- Sai Pallavi as Sita
- Yash as Ravana
- Sunny Deol as Lord Hanuman
- Ravi Dubey as Lakshmana
- Arun Govil as King Dasharatha
- Rakul Preet Singh as Surpanakha
The film is planned as a two-part cinematic epic, with:
- Part 1 releasing on Diwali 2026
- Part 2 releasing on Diwali 2027
Reportedly made on a staggering budget of over ₹4,000 crore, the project aims to present the ancient epic with cutting-edge visual effects and a globally appealing musical score.
Why Rahman’s involvement matters
Rahman’s collaboration with Hans Zimmer marks a rare East–West musical partnership for an Indian mythological film, positioning Ramayana as a project with international reach. His comments have reignited conversations about artistic freedom, inclusivity, and the dangers of reducing creativity to religious identity.
By choosing to participate in Ramayana, Rahman reiterates a long-held belief:
stories belong to humanity, not to any single faith.
Bollywood
Box Office Report (January 7, 2026): Dhurandhar Becomes Highest-Grossing Hindi Film, Set to Overtake RRR Worldwide
Ranveer Singh’s spy thriller Dhurandhar has officially rewritten Indian box-office history. Directed by Aditya Dhar, the film has emerged as the highest-grossing Hindi-language film of all time, cementing its place among Indian cinema’s biggest blockbusters.
Despite entering its fifth week in theatres and witnessing an expected slowdown, Dhurandhar continues to dominate the box office both domestically and overseas. According to industry tracker Sacnilk, the film has amassed a staggering ₹1,222 crore worldwide, putting it within touching distance of SS Rajamouli’s RRR, which stands at approximately ₹1,230 crore globally.
Strong Hold Despite Fifth-Week Dip
Like most large-scale releases, Dhurandhar experienced a drop in collections during its fifth week. On Day 32 (fifth Monday), the film saw a 62.75% decline, earning ₹4.75 crore. However, the action thriller bounced back over the weekend, reaffirming its extraordinary theatrical run.
On Day 34 (Wednesday, January 7, 2026), Dhurandhar collected ₹4.25 crore, registering an overall Hindi occupancy of 10.69%—a solid figure for a film running for over a month.
So far, the film has earned:
- ₹786 crore nett in India
- ₹1,222 crore worldwide
These numbers underline the film’s exceptional longevity and repeat audience value.
Dhurandhar Becomes Highest-Grossing Single-Language Indian Film
With its current tally, Dhurandhar has surpassed all previous Hindi-language releases to become the highest-grossing single-language Indian film ever. Its success has been driven by a mix of strong word-of-mouth, mass appeal, slick action sequences, and sustained interest in the spy-thriller genre.
The film features a powerful ensemble cast, including:
- Ranveer Singh
- Akshaye Khanna
- Arjun Rampal
- Sanjay Dutt
- R Madhavan
Each actor’s performance has been widely appreciated, contributing to the film’s broad demographic appeal.
On Track to Surpass RRR Worldwide
Dhurandhar is now poised to surpass the lifetime worldwide collection of RRR, one of Indian cinema’s biggest global successes. While RRR—starring Jr NTR and Ram Charan—finished its run at around ₹1,230 crore worldwide, Dhurandhar is less than ₹10 crore away from eclipsing that milestone.
Trade analysts expect Dhurandhar to cross the RRR mark within the next few days, provided it maintains even modest daily collections.
Sequel Already Announced
Buoyed by the film’s historic success, the makers have officially announced Dhurandhar: Part 2. The sequel is scheduled for release in March 2026 and is set to clash with Yash’s much-anticipated Toxic – A Fairytale for Grown-Ups, promising a major box-office showdown.
Other Releases: Ikkis Box Office Update
Meanwhile, Sriram Raghavan’s Ikkis, starring Dharmendra and Agastya Nanda, continues its theatrical run at a modest pace. On its seventh day, the film collected ₹1.15 crore, taking its total India nett collection to ₹24.25 crore.
Ikkis opened with ₹7 crore on Day 1, followed by:
- ₹3.5 crore on Day 2
- ₹4.65 crore on Day 3
- ₹5 crore on Day 5
The film witnessed its first major drop on Day 5 (Monday), earning ₹1.35 crore, before slightly improving to ₹1.6 crore on Day 6.
Final Verdict
Dhurandhar’s box-office run stands as a landmark achievement for Hindi cinema. With record-breaking domestic earnings, massive overseas traction, and a sequel already in place, the film has firmly established itself as one of the most successful Indian theatrical releases of all time.
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