Bollywood
Pawan Kalyan’s Hari Hara Veera Mallu: Powerful Ideals, Flawed Execution
After a long wait and high expectations, Pawan Kalyan’s magnum opus Hari Hara Veera Mallu: Part 1 – Sword vs Spirit hits the screens on July 24, 2025. Directed by Krish Jagarlamudi and A. M. Jyothi Krishna, and featuring a star-studded ensemble, the film promised a mythic, grand period adventure—but reviews suggest it falls well short of its ambition.

What Works: Star Power, Music & Ambition
- Pawan Kalyan brings charisma and presence to the lead role—his aura and action sequences hold viewer attention even when the screenplay falters.
- MM Keeravani’s score is widely praised for adding emotional heft and grandeur across pivotal sequences.
- Ambitious visuals and a rich period backdrop mark the film as clearly high-budget and visionary in parts.

What Fails: Patchy Storytelling, Weak Tech, Tonal Inconsistency
- The screenplay is disjointed and dated, especially in the second half where narrative coherence collapses.
- First half reactions are mixed: while some find sequences like the kusthi fight and Pawan’s entry thrilling, others describe the rest as “serial-like” or mediocre.
- Visual effects are underwhelming, breaking immersion—particularly CGI animals and horse-riding scenes.
- Tone shifts are jarring: the hero swings from Andhra to Telangana dialect mid-film, affecting narrative flow.
Ensemble Cast & Supporting Roles
- Bobby Deol shines briefly as Aurangzeb, delivering menace and intensity in limited screen time.
- Nidhhi Agerwal, Sathyaraj, Sunil, Raghu Babu, and others provide competent support—but largely in underdeveloped roles.

Audience & Twitter Reactions: A Mixed Bag
On X (formerly Twitter), views are sharply divided:
- Praise for film’s energy and background score: “First half is solid… intervals give hope… Keeravani’s score is the heart of the film… Kusthi fight & pre climax fights stand out.”
- Criticism for second half: “Painful 2nd half… Pawan Kalyan lost his skill in acting & aura… VFX worst to core… climax is a big let down.” — 1.75/5 review.
Other users echo similar sentiments:
- “Started well but ended in complete chaos. Script collapses. Visuals hurt.”
Trade analysts still expect a strong box office opening—reportedly around ₹30 crore on Day 1—driven by star power and fan anticipation.
Meanwhile, Telugu comedian Hyper Aadi, a Pawan fan, hailed it as a “festival for fans” and a “black‑buster.”

Final Verdict: Ambitious Vision Meets Flawed Reality
| Strengths | Weaknesses |
|---|---|
| Pawan Kalyan’s star presence | Disjointed, outdated screenplay |
| MM Keeravani’s evocative music | Poor VFX and tonal inconsistency |
| Grand set design and ambitious scale | Supporting cast underutilized |
Rating: 2.5 / 5 stars by Times of India | 2 / 5 stars by India Today
Hari Hara Veera Mallu: Part 1 embodies bold themes—rebellion, mythic heroism, nationalism—but its execution stumbles on pacing, writing, and technical polish. For fans of Telugu grandeur and Pawan Kalyan devotion, it offers memorable moments. For most audiences, it likely feels like a missed opportunity.
Bollywood
Shah Rukh Khan and Kajol Unveil DDLJ Statue in London, Celebrate 30 Years of the Iconic Classic
Bollywood superstars Shah Rukh Khan and Kajol marked a historic moment as they unveiled a bronze statue of their beloved Dilwale Dulhania Le Jayenge (DDLJ) characters — Raj and Simran — in London. The unveiling comes as the legendary film celebrates 30 years since its release in 1995, reaffirming its timeless charm and global cultural impact.
The intricately crafted statue, installed at London’s famous Leicester Square, recreates one of DDLJ’s most memorable scenes and now joins the Scenes in the Square trail that honours iconic characters in film history.
⭐ A Grand Celebration at Leicester Square
At the unveiling event, Shah Rukh Khan appeared in a classic black suit, while Kajol stunned in a beautiful blue saree — a subtle nod to the film’s romantic aesthetic. The duo, whose on-screen chemistry remains unmatched even today, stood together smiling beside the sculpture that commemorates their unforgettable journey as Raj and Simran.
The film, directed by Aditya Chopra and produced by Yash Raj Films, continues to stand as one of the greatest love stories in Indian cinema.
⭐ Shah Rukh Khan Shares His Reaction
SRK shared photos from the ceremony on social media, delighting fans worldwide. His caption read:
“Bade Bade Deshon Mein, Aisi Chhoti Chhoti Baatein Hoti Rehti Hain, Senorita! Thrilled to unveil the bronze statue of Raj & Simran at London’s Leicester Square today, celebrating 30 years of Dilwale Dulhania Le Jayenge (DDLJ)!”
He added:
“DDLJ is the first Indian film to be honoured with a statue in the Scenes in the Square trail. A big thank you to everyone in the UK for making this possible. Come meet Raj & Simran if and when you are in London… we would love to see you make more memories with DDLJ…”
This marks a historic first for Indian cinema — no Indian film has ever before been honoured with such a recognition in London’s entertainment district.
⭐ DDLJ: A Timeless Legacy
Since its release in 1995, Dilwale Dulhania Le Jayenge has remained a cultural phenomenon. Not only did it redefine romance for an entire generation, but it also became one of the longest-running films in Indian history.
Budget & Box Office Performance
According to industry tracker Sacnilk:
- Budget: ₹4 crore
- Worldwide Collection: ₹102.50 crore
- India Net Collection: ₹53.32 crore
DDLJ’s success went far beyond commercial numbers — it launched the SRK–Kajol duo to unmatched stardom and reshaped Bollywood’s narrative of love, family, and youth.
⭐ Why This Statue Matters
The installation of the Raj–Simran statue is more than just a tribute — it’s a symbol of:
- The global influence of Indian cinema
- The beloved legacy of DDLJ
- The cross-cultural appreciation of Bollywood storytelling
- The enduring charm of Shah Rukh Khan and Kajol’s iconic pairing
For millions of fans worldwide, DDLJ is not just a film — it’s an emotion, a memory, and now a permanent fixture in London’s cinematic history.
Bollywood
Box Office (November 30): Tere Ishk Mein crosses ₹50 crore; Gustaakh Ishq, De De Pyaar De 2 remain average performers
The last weekend of November brought mixed fortunes for Hindi cinema. While Tere Ishk Mein registered a strong run and comfortably crossed the ₹50 crore mark within its opening weekend, other releases such as Gustaakh Ishq, De De Pyaar De 2, and 120 Bahadur continued to show moderate to below-average performance at the domestic box office.
⭐ Tere Ishk Mein crosses ₹50 crore in three days
Aanand L Rai’s romantic drama starring Dhanush and Kriti Sanon has emerged as the top choice for moviegoers. The film collected ₹18 crore on Sunday, supported by strong weekend footfall.
- Total (3 days): ₹51.75 crore
- Strong growth seen across metros and Tier-1 cities
- Positive word of mouth driving family audiences
The chemistry between the lead pair and the film’s emotional storyline have contributed significantly to its impressive opening weekend.
⭐ Gustaakh Ishq sees below-average Sunday
Vibhu Puri’s drama featuring Vijay Varma, Fatima Sana Shaikh, and Naseeruddin Shah struggled to pick up momentum.
- Sunday: ₹0.21 crore
- Total (3 days): ₹1.16 crore
Despite a strong star cast and decent critical reception, the film failed to attract large crowds, facing heavy competition from other releases.
⭐ De De Pyaar De 2 shows slight weekend bump on Day 17
Ajay Devgn’s romantic family entertainer continues its slow but steady march. The film saw a marginal rise on its third Sunday.
- Day 17 (Sunday): ₹1.40 crore
- Day 16 (Saturday): ₹1.35 crore
- Total India collection: ₹71.10 crore
Though performing better than other mid-range releases, the film’s pace has slowed significantly, with business mostly sustained by urban centres.
⭐ 120 Bahadur remains modest on Day 10
Farhan Akhtar’s war drama—based on the heroes of the 1962 Rezang La battle—failed to gain traction even on its second Sunday.
- Day 10 (Sunday): ₹0.79 crore
- Total collection: ₹16.94 crore
While performances and storytelling earned praise, the film’s genre appeal seems limited. 120 Bahadur is now relying on weekday stability and tax-free boosts in some states to improve its lifetime total.
📌 Overall Box Office Snapshot (Weekend Ending Nov 30)
- Clear Winner: Tere Ishk Mein
- Moderate Performer: De De Pyaar De 2
- Underperformers: Gustaakh Ishq, 120 Bahadur
Bollywood’s final month of 2025 opens with a strong showing by Dhanush, while other films continue to battle for audience attention in a crowded release calendar.
Bollywood
Box Office Report (November 9, 2025): ‘Haq’ and ‘The Girlfriend’ stay steady; ‘Predator: Badlands’ breaks global records
New Delhi, November 10, 2025:
Theatres across India witnessed an energetic Sunday as Rishab Shetty’s Kantara Chapter 1 continued its phenomenal run, while new releases like Haq and The Taj Story attracted steady footfalls. Even regional and Hollywood releases contributed to a dynamic weekend. From Mumbai to Guwahati, here’s how the box-office numbers looked on November 9, 2025.
Kantara Chapter 1: The unstoppable juggernaut
Rishab Shetty’s magnum opus, Kantara Chapter 1, released on October 2, remains a dominant force. The film has now amassed an estimated ₹617 crore net in India and ₹728.06 crore gross after GST adjustments.
Despite being available on OTT platforms, the film continues to attract theatre audiences—a rare feat that underscores its cultural resonance and word-of-mouth power. Trade experts believe the film could challenge all-time records for a Kannada production by the end of its theatrical run.
Haq: Word-of-mouth lifts this courtroom drama
Starring Emraan Hashmi and Yami Gautam, Haq continues to find steady traction at the box office. After collecting ₹3.75 crore on its first Sunday, its total Indian tally stands at ₹8.85 crore.
Strong reviews for its performances and screenplay have helped the film sustain beyond initial expectations. Analysts predict a stable second week if urban occupancy remains consistent.

Thamma: Ayushmann-Rashmika starrer crosses ₹130 crore
Thamma, led by Ayushmann Khurrana and Rashmika Mandanna, has turned out to be one of the surprise superhits of the season. The film minted another ₹1.65 crore this weekend, pushing its cumulative total to a massive ₹131.05 crore in India.
Its relatable family drama mixed with situational comedy has resonated across demographics, giving Ayushmann one of his biggest solo blockbusters in recent years.
Ek Deewane Ki Deewaniyat: Urban centres fuel stability
The romantic thriller featuring Harshvardhan Rane and Sonam Bajwa added ₹1.50 crore to its total, which now stands at ₹74.95 crore.
While Tier-2 city collections have slowed, the film maintains a solid grip in metros like Delhi, Mumbai, and Bengaluru—driven largely by young audiences and repeat viewership.
Roi Roi Binale: Regional cinema milestone
Assamese legend Zubeen Garg’s final outing, Roi Roi Binale, is rewriting regional box-office history. The film earned ₹1.89 crore on its 10th day, taking its total to ₹15.76 crore net.
Trade trackers note that it now ranks among the highest-grossing Assamese films ever, a testament to Garg’s enduring popularity and the film’s emotional appeal across the Northeast.

The Girlfriend: Rashmika shines again
Rashmika Mandanna’s solo-led drama The Girlfriend posted its best figures yet on Sunday, earning ₹3 crore. With a cumulative collection of ₹6.80 crore, the film’s growth curve looks promising as family audiences join the weekday rush.
Industry observers suggest that its relatable theme and strong social-media buzz may help it cross the ₹10 crore mark by mid-week.
The Taj Story: A steady climb in its second week
Veteran actor Paresh Rawal’s The Taj Story continues to charm audiences into its second week. The period drama earned ₹2.09 crore on Sunday—up from ₹1.75 crore on Saturday—taking its total to ₹15.74 crore.
Despite limited screens, the film’s historical appeal and strong performances have ensured steady occupancy, particularly in North India and heritage circuits.
Predator: Badlands – Global box office record-breaker
Beyond India, Hollywood had a thunderous weekend as Dan Trachtenberg’s Predator: Badlands smashed global records. The sci-fi action thriller opened to a staggering $80 million worldwide, making it the highest-grossing debut in the Predator franchise’s history.
Analysts project a robust second weekend, with North America contributing nearly half of its opening figures and strong IMAX turnout reported from India, the UK, and Australia.
Weekend takeaway
With Kantara Chapter 1 dominating the charts, Haq and The Girlfriend showing stability, and Predator: Badlands exploding globally, the November 9 weekend has turned out to be one of the most lucrative frames of the season.
As Diwali week approaches, the industry eyes an even stronger turnout, with festive releases lined up to keep the cash registers ringing.
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