Entertainment
‘Badshah is being judged…’: Santy Sharma defends rapper amid Tateeree song controversy
Indian rapper and singer Badshah has been facing intense criticism online following the release of his song “Tateeree.” The track sparked widespread debate due to its lyrics and music video, which many social media users described as vulgar and inappropriate.
Amid the growing controversy, rapper Santy Sharma has come forward in support of Badshah, urging people not to judge the artist without fully understanding the context behind the song.
Santy Sharma speaks in support of Badshah
Taking to Instagram, Santy Sharma shared a post defending Badshah and highlighting how rap music as a genre often includes competitive and provocative lyrical expressions.
In his statement, Sharma explained that the audio of a song is often recorded long before the music video is produced, meaning that the visual direction may involve a separate creative team.
He wrote that artists like Badshah may not always have full control over how their songs are visually represented. Sharma also emphasised that many listeners in India may not fully understand the nuances of hip-hop culture, which sometimes leads to misinterpretation of lyrics.
According to Sharma, if a particular lyric is considered problematic, it can always be corrected or modified. However, he added that judging an artist harshly without understanding the creative process is unfair.
What is the Tateeree song controversy?
The controversy began after Badshah released “Tateeree” on March 1, which quickly went viral but also attracted criticism for its double-meaning lyrics and controversial visuals.
Several listeners objected to certain lines in the song, claiming they objectified women and contained suggestive undertones. The criticism intensified when the music video featured girls dancing in school uniforms, which many viewers argued was inappropriate.
Critics also claimed that the visuals and lyrics disrespected women, minors, and cultural sensitivities, particularly in the state of Haryana.
Police complaint and legal developments
The backlash eventually reached legal circles when a complaint was filed at the Cyber Crime Police Station in Panchkula, Haryana.
The complaint was lodged by Abhay Chaudhary, who alleged that the song’s lyrics and visuals were offensive and potentially harmful for young audiences. According to reports, authorities also issued a lookout notice against Badshah following the complaint.
The legal developments further intensified the online debate surrounding the track.
Badshah apologises and removes the song
In response to the controversy, Badshah released a public apology video on Instagram and confirmed that the song had been removed from all streaming and social media platforms.
In his statement, the rapper expressed regret over the unintended impact of the lyrics and visuals.
He acknowledged that some people—especially those from his home state of Haryana—felt hurt by the song. Badshah emphasised his strong connection with Haryana and said he was proud of his cultural roots.
He stated that hurting anyone’s sentiments was never his intention and assured fans that he respects his audience.
Debate over artistic freedom vs responsibility
The Tateeree controversy has sparked a larger discussion online about artistic freedom, responsibility in music, and the influence of entertainment on younger audiences.
While some fans continue to criticise the track for crossing cultural and ethical boundaries, others argue that rap music often uses exaggerated storytelling and provocative language as part of the genre’s creative expression.
With Badshah having already apologised and removed the song, it remains to be seen whether the controversy will fade or continue to generate debate in the coming days.
Entertainment
Birthday Special: Did You Know Samantha Ruth Prabhu Led an S. S. Rajamouli Film Before RRR and Baahubali?
Before RRR and the Baahubali franchise turned S. S. Rajamouli into a global phenomenon, Samantha Ruth Prabhu had already been part of one of his most imaginative and critically acclaimed films.
On the occasion of her birthday, it’s worth revisiting Eega (released in Hindi as Makhi), a fantasy revenge drama that showcased Rajamouli’s storytelling brilliance long before his pan-India blockbusters.
Eega: A Concept Ahead of Its Time
Released in 2012, Eega stood out for its bold and unconventional premise—a man reincarnated as a housefly seeking revenge against his killer.
Starring Nani alongside Samantha, the film blended fantasy, emotion, and cutting-edge visual effects in a way rarely seen in Indian cinema at the time.
Samantha played Bindu, a compassionate and intelligent woman who becomes central to the story’s emotional core. While the film’s concept grabbed attention, it was the emotional storytelling and character depth that made it resonate with audiences across languages.
The film went on to become both a critical and commercial success, further establishing Rajamouli as a visionary filmmaker even before Baahubali.
Samantha’s Role in Elevating the Narrative
At a time when her career was gaining momentum, Eega allowed Samantha Ruth Prabhu to step into a more experimental space.
Unlike conventional roles, her performance relied heavily on:
- Emotional expression
- Screen presence alongside VFX-driven storytelling
- Subtle yet impactful characterisation
Her portrayal added warmth and relatability to a highly imaginative narrative, helping balance spectacle with emotion.
A Career That Continued to Evolve
Following Eega, Samantha went on to build a diverse and critically acclaimed filmography. Some of her notable works include:
- Mersal
- Majili
- Super Deluxe
- Yashoda
- Kushi
She has also made a strong mark on OTT platforms, expanding her reach beyond traditional cinema.
Before the Global Fame of Rajamouli
Today, S. S. Rajamouli is celebrated worldwide for films like RRR and Baahubali. However, Eega remains a crucial chapter in his journey—one that demonstrated his ability to turn even the most unusual ideas into cinematic successes.
For Samantha, the film is a reminder that she was part of Rajamouli’s creative evolution well before his global breakthrough.
What’s Next for Samantha?
On the work front, Samantha Ruth Prabhu is set to headline Maa Inti Bangaram, an action-family drama where she also takes on the role of producer under her banner, Tralala Moving Pictures. The film is expected to release in theatres on May 15, 2026.
She is also reportedly working on a Hindi web series titled Rakt Brahmand, alongside Aditya Roy Kapur.
A Birthday Worth Celebrating
As Samantha Ruth Prabhu celebrates her birthday, Eega stands as a testament to her willingness to take risks and be part of unconventional cinema.
Long before the era of pan-India blockbusters, she was already contributing to stories that pushed creative boundaries—making her journey all the more remarkable.
Bollywood
9 Years of Baahubali 2: How Baahubali 2: The Conclusion Redefined Indian Cinema
Released on April 28, 2017, Baahubali 2: The Conclusion wasn’t just a film—it was a phenomenon that reshaped the Indian film industry. Directed by S. S. Rajamouli and headlined by Prabhas, the film arrived amid massive anticipation and went on to surpass even the wildest expectations.
A Cultural Moment, Not Just a Sequel
The film picked up from the cliffhanger of Baahubali: The Beginning, answering the iconic question: “Why did Kattappa kill Baahubali?” This curiosity alone drove unprecedented pre-release hype, turning the film into a nationwide event.
With grand storytelling, stunning visuals, and emotionally charged performances by actors like Rana Daggubati and Anushka Shetty, the film connected across languages and regions like never before.
Record-Breaking Box Office Run
Unprecedented Global Collections
Baahubali 2 set new financial benchmarks by earning approximately ₹1,788 crore worldwide, including:
- ₹1,429 crore gross in India
- ₹359 crore overseas
Its India net collection crossed ₹1,000 crore, a historic first for Indian cinema at the time. Made on a reported budget of around ₹250 crore, it became one of the most profitable films ever produced in India.
Historic Milestones
The film didn’t just break records—it created new ones:
- First Indian film to cross ₹1,000 crore globally
- Fastest film (at the time) to hit ₹100 crore, ₹500 crore, and ₹1,000 crore milestones
- Became the highest-grossing Indian film worldwide, later surpassed by Dangal
The Hindi Dub That Changed the Game
One of the film’s most groundbreaking achievements was its Hindi dubbed version. Traditionally, dubbed South Indian films had limited reach in North India. However, Baahubali 2 shattered that perception.
- Hindi version net collection: ~₹511 crore
- Competed directly with top Bollywood blockbusters
- Opened doors for the Pan-India release model
This success laid the foundation for later films like KGF: Chapter 1, Pushpa: The Rise, and RRR to target nationwide audiences.
A Pan-India Revolution
Baahubali 2 proved that language is no longer a barrier in Indian cinema. Released in Telugu, Tamil, Hindi, and Malayalam, it unified audiences across regions.
It also:
- Ran for 50+ days in multiple centres
- Expanded the scale of theatrical releases
- Encouraged big-budget storytelling with global appeal
Legacy: A Turning Point in Indian Cinema
Nine years later, the impact of Baahubali 2 is still visible. It:
- Established Prabhas as a pan-India superstar
- Cemented S. S. Rajamouli as one of the most influential filmmakers globally
- Inspired filmmakers to think beyond regional boundaries
Bollywood
Ranveer Singh’s Dhurandhar 2: The Revenge Nears Baahubali 2: The Conclusion Record, Just ₹11 Crore Away
Ranveer Singh and director Aditya Dhar’s blockbuster Dhurandhar 2: The Revenge continues its phenomenal run at the box office, edging closer to rewriting history.
As of Day 39, the film has reportedly collected:
- India Net: ₹1,130.59 crore
- Worldwide Gross: ₹1,777.52 crore
This puts it just ₹11 crore short of surpassing the legendary Baahubali 2: The Conclusion (₹1,788.06 crore worldwide), one of the highest-grossing Indian films of all time.
📈 Strong Sixth Weekend Holds Momentum
Even in its sixth week, Dhurandhar 2 is showing remarkable stability:
- Friday: ₹1.55 crore
- Saturday: ₹3 crore
- Sunday: ₹3.25 crore
- Weekend Total: ~₹7.95 crore
These numbers highlight sustained audience interest, a rare feat for films deep into their theatrical run.
🏆 Historic Milestone Within Reach
If the current trend continues:
- The film could surpass Baahubali 2’s worldwide record within days
- It may cross the ₹1,800 crore global mark shortly after
- It is already among the top-grossing Indian films globally
The coming weekdays will be crucial—especially if collections stay above ₹1 crore per day.
📊 Day 39 Performance: Among the Best
With its Day 39 collection, Dhurandhar 2 has:
- Achieved one of the highest late-run collections in Hindi cinema
- Reportedly ranked second-highest Day 39 performer, behind Stree 2
- Outperformed films like:
- Jawan
- Pushpa: The Rule – Part 2 in similar stages
🎟️ Occupancy and Audience Response
Despite reduced screens in some regions, the film continues to attract viewers:
- Strong occupancy in afternoon and evening shows
- Consistent footfall across multiplexes and mass circuits
- Positive word-of-mouth sustaining long-term performance
🎬 What’s Driving the Success?
Several factors are contributing to the film’s blockbuster run:
- Ranveer Singh’s high-energy performance
- Aditya Dhar’s mass-appeal direction
- Strong sequel hype and franchise value
- Wide pan-India and global appeal
⚠️ Final Verdict: Can It Dethrone Baahubali 2?
While Dhurandhar 2 hasn’t officially crossed Baahubali 2: The Conclusion yet, it is on the brink of doing so.
- Needs roughly ₹11 crore more globally
- Likely to achieve the milestone within the next few days if trends hold
✅ Key Takeaways
- Dhurandhar 2 worldwide collection: ₹1,777.52 crore
- Just ₹11 crore away from Baahubali 2 record
- Strong performance even in week 6
- Could soon become one of the highest-grossing Indian films ever
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